{"created":"2023-07-25T09:59:47.509002+00:00","id":2568,"links":{},"metadata":{"_buckets":{"deposit":"ce673628-8b82-4b1c-b0ea-3e7d1f1621b6"},"_deposit":{"created_by":4,"id":"2568","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2568"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00002568","sets":["91:238"]},"author_link":["4473","4474"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2023-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"41","bibliographicPageStart":"31","bibliographicVolumeNumber":"57","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"クロード・レヴィ＝ストロースのテーバイ神話群の分析に想を得た音楽分析を、本来的な意味とは異なるという指摘はあるものの「範列分析 paradigmatic analysis」と呼ぶことがある。本稿では、民俗芸能のうち、東日本を中心に各地に伝わる「三匹獅子舞」の歌を例に、範列分析の応用可能性を検討する。筆者は本誌第52集に掲載した拙稿にて、狭山丘陵南麓に伝わる二つの三匹獅子舞「横中馬獅子舞」「箱根ヶ崎獅子舞」について研究した。しかし、拙稿ではその歌について考察することができなかった。本稿ではまず、範列分析を大略紹介したのち、箱根ヶ崎獅子舞の歌の構造を提示する。その後、三匹獅子舞の「歌」の意味論を展開した石川博行の論文「おばあさんの涙」を経由しつつ、歌詞の意味論の可能性、とりわけ「相同性」に着目した分析の方向性について若干の検討を試みる。","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.20675/00002550","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_10002_text_24":{"attribute_name":"年次","attribute_value_mlt":[{"subitem_text_value":"2022"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"川﨑, 瑞穂"},{"creatorName":"カワサキ, ミズホ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"4473","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Kawasaki, Mizuho","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"4474","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-05-12"}],"displaytype":"detail","filename":"K57_031_Kawasaki.pdf","filesize":[{"value":"2.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"K57_031_Kawasaki.pdf","url":"https://kunion.repo.nii.ac.jp/record/2568/files/K57_031_Kawasaki.pdf"},"version_id":"3ed7dc3b-d26d-47ea-9f32-d49fb75fb590"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"民俗芸能","subitem_subject_scheme":"Other"},{"subitem_subject":"雌獅子隠し","subitem_subject_scheme":"Other"},{"subitem_subject":"構造主義","subitem_subject_scheme":"Other"},{"subitem_subject":"相同性","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽記号学","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"三匹獅子舞における歌の範列分析 : 箱根ヶ崎獅子舞を事例として","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"三匹獅子舞における歌の範列分析 : 箱根ヶ崎獅子舞を事例として"},{"subitem_title":"A Paradigmatic Analysis of Songs in the Sanbiki Shishimai : A Case Study of Hakonegasaki Shishimai","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["238"],"pubdate":{"attribute_name":"公開日","attribute_value":"2023-05-12"},"publish_date":"2023-05-12","publish_status":"0","recid":"2568","relation_version_is_last":true,"title":["三匹獅子舞における歌の範列分析 : 箱根ヶ崎獅子舞を事例として"],"weko_creator_id":"4","weko_shared_id":-1},"updated":"2023-07-25T10:04:22.577227+00:00"}