{"created":"2023-07-25T09:59:37.783210+00:00","id":2374,"links":{},"metadata":{"_buckets":{"deposit":"08b289c7-08b6-4dd5-9416-34a3317d0813"},"_deposit":{"created_by":4,"id":"2374","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2374"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00002374","sets":["91:223"]},"author_link":["4160","4161"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"243","bibliographicPageStart":"237","bibliographicVolumeNumber":"55","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿では，東京文化会館小ホールで行った「堀江志磨ピアノリサイタル」（2019年5月3日）で演奏したプログラムのうち，バルトークの《15のハンガリー農民歌》を取り上げて考察を行った。19世紀末から20世紀初頭ヨーロッパにおける芸術史の転換点の中で，バルトークは，古いものから脱却し，その先へ進む一つの道をハンガリーの農民音楽に見出した。徹底した民謡採収に基づいた，旋律構造や音楽的要素の分析の末，それらの農民音楽を芸術音楽に取り入れ，昇華させていった点で，バルトークのピアノ作品は独自性を帯びている。バルトークが農民音楽に傾倒していった背景や，農民音楽を作曲活動に反映させていく経緯とその方法を，バルトーク自身が残した著作を参考にしながら探った。","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.20675/00002358","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_10002_text_24":{"attribute_name":"年次","attribute_value_mlt":[{"subitem_text_value":"2020"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"堀江, 志磨"},{"creatorName":"ホリエ, シマ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"4160","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Horie, Shima","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"4161","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2021-07-20"}],"displaytype":"detail","filename":"K55_237_Horie.pdf","filesize":[{"value":"1.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"K55_237_Horie.pdf","url":"https://kunion.repo.nii.ac.jp/record/2374/files/K55_237_Horie.pdf"},"version_id":"c6cb3566-211e-46d0-a462-569287d5868f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"バルトーク","subitem_subject_scheme":"Other"},{"subitem_subject":"西洋音楽","subitem_subject_scheme":"Other"},{"subitem_subject":"農民音楽","subitem_subject_scheme":"Other"},{"subitem_subject":"ハンガリー的なもの","subitem_subject_scheme":"Other"},{"subitem_subject":"真にハンガリーのもの","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"農民音楽を基にしたバルトークのピアノ曲について : 《15のハンガリー農民歌》を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"農民音楽を基にしたバルトークのピアノ曲について : 《15のハンガリー農民歌》を中心に"},{"subitem_title":"A Study of Bartók’s Piano Music Based on Peasant Music : Mainly “15 Hungarian Peasant Songs”","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["223"],"pubdate":{"attribute_name":"公開日","attribute_value":"2021-07-20"},"publish_date":"2021-07-20","publish_status":"0","recid":"2374","relation_version_is_last":true,"title":["農民音楽を基にしたバルトークのピアノ曲について : 《15のハンガリー農民歌》を中心に"],"weko_creator_id":"4","weko_shared_id":4},"updated":"2023-07-25T10:07:32.096664+00:00"}