{"created":"2023-07-25T09:59:33.931145+00:00","id":2242,"links":{},"metadata":{"_buckets":{"deposit":"04274645-37cd-4f73-b5d7-263d8c344af2"},"_deposit":{"created_by":4,"id":"2242","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2242"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00002242","sets":["91:215"]},"author_link":["3932","3933"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"266","bibliographicPageStart":"259","bibliographicVolumeNumber":"54","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"米国統治下（1945-1972）における沖縄の音楽教育を語る際，特徴的なのは「沖縄らしさを求める動き」である。具体的には「郷土の音楽」を取り入れようとする動きとして表れている。このような動きを検討する際，視点を合わせるべき人物が，戦前の沖縄の作曲家及び音楽教師であった宮良長包である。沖縄の教師には，郷土の音楽を大切にすべきという根強い思いはあったが，様々な状況が，郷土の音楽を学校に取り入れることを困難にしていた。その解決策として採用されたのが，宮良長包の作品であった。本論では，なぜその解決策として宮良の作品が用いられたのかについて，沖縄の人々の郷土の音楽に対する考え方，宮良作品の特徴，宮良の薫陶を受けた教え子の声などをもとに検討する。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_10002_text_24":{"attribute_name":"年次","attribute_value_mlt":[{"subitem_text_value":"2019"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"津田, 正之"},{"creatorName":"ツダ, マサユキ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"3932","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Tsuda, Masayuki","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"3933","nameIdentifierScheme":"WEKO"}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"米国統治下","subitem_subject_scheme":"Other"},{"subitem_subject":"沖縄","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽教育","subitem_subject_scheme":"Other"},{"subitem_subject":"宮良長包","subitem_subject_scheme":"Other"},{"subitem_subject":"郷土の音楽","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"米国統治下の沖縄の学校音楽教育における沖縄らしさ : 「郷土の音楽」と宮良長包の作品の導入をめぐって","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"米国統治下の沖縄の学校音楽教育における沖縄らしさ : 「郷土の音楽」と宮良長包の作品の導入をめぐって"},{"subitem_title":"Okinawan-ness in School Music Education in Okinawa under the Rule of the U.S. : On the Introduction of “Local Music” and Miyara Choho's Works","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["215"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-05-27"},"publish_date":"2020-05-27","publish_status":"0","recid":"2242","relation_version_is_last":true,"title":["米国統治下の沖縄の学校音楽教育における沖縄らしさ : 「郷土の音楽」と宮良長包の作品の導入をめぐって"],"weko_creator_id":"4","weko_shared_id":4},"updated":"2023-07-25T10:07:58.122604+00:00"}