{"created":"2023-07-25T09:59:32.881093+00:00","id":2219,"links":{},"metadata":{"_buckets":{"deposit":"1d6b3cb3-04fe-45bf-95be-0f342de0b439"},"_deposit":{"created_by":4,"id":"2219","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2219"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00002219","sets":["91:215"]},"author_link":["3883","3884"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"34","bibliographicPageStart":"23","bibliographicVolumeNumber":"54","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"バロック期に書かれた《組曲》にはしばしば〈ドゥーブル〉が含まれている。本研究では〈ドゥーブル〉の歴史を俯瞰しつつ、ヨハン・ゼバスティアン・バッハが用いた〈ドゥーブル〉の様式的特徴について考察した。バッハは《イギリス組曲》《無伴奏ヴァイオリンのためのパルティータ》《リュートのための組曲》《管弦楽組曲》に9つの〈ドゥーブル〉を用いており、それらは、リュート様式による変奏、等価の音のパッセージによる変奏、独自の技法による変奏の3種類からなっていた。それらはそれぞれチェンバロのための作品、弦楽器のための作品、管弦楽のための作品であり、変奏技法は楽器固有の表現様式に基づくものであった。バッハの〈ドゥーブル〉は他の作曲家のものに比べ、格段に多様な様式を持ち、この形式に大きな可能性を与えるものであった。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_10002_text_24":{"attribute_name":"年次","attribute_value_mlt":[{"subitem_text_value":"2019"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"加藤, 一郎"},{"creatorName":"カトウ, イチロウ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Kato, Ichiro","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ドゥーブル","subitem_subject_scheme":"Other"},{"subitem_subject":"バッハ","subitem_subject_scheme":"Other"},{"subitem_subject":"組曲","subitem_subject_scheme":"Other"},{"subitem_subject":"変奏","subitem_subject_scheme":"Other"},{"subitem_subject":"様式","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"バッハの〈ドゥーブル〉 : その様式的特徴","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"バッハの〈ドゥーブル〉 : その様式的特徴"},{"subitem_title":"Bach’s “Double” : Its Stylistic Characteristics Orchestral Music","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["215"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-05-27"},"publish_date":"2020-05-27","publish_status":"0","recid":"2219","relation_version_is_last":true,"title":["バッハの〈ドゥーブル〉 : その様式的特徴"],"weko_creator_id":"4","weko_shared_id":4},"updated":"2023-07-25T10:08:14.562547+00:00"}