{"created":"2023-07-25T09:59:28.432451+00:00","id":2115,"links":{},"metadata":{"_buckets":{"deposit":"1323367b-eb76-428b-9bb9-c8741933d28b"},"_deposit":{"created_by":4,"id":"2115","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2115"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00002115","sets":["91:206"]},"author_link":["3698","3697"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-03-29","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"403","bibliographicPageStart":"399","bibliographicVolumeNumber":"53","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本研究では，東京文化会館小ホールで行なった「堀江志磨ピアノリサイタル」（2017年5月3日）で演奏した曲目のうちブラームスの後期ピアノ作品から《3つのインテルメッツォ Op.117》を取り上げて，分析を行う。ブラームス自身が「我が苦悩の子守歌」と呼んだこれらの曲を，作曲家の伝記的背景を考慮し，ブラームスの心象風景に迫ることによって，演奏表現の可能性を探る。次に，演奏者が「作曲家の思いを自分の演奏で伝えたい」という演奏の目的のために，作曲の背景を知り，自分の表現を探るという学びのプロセスをICEモデルを使って整理する。この際に，作曲家と演奏者の思いを「主観」，楽譜を「客観」ととらえ，「思い」を聴衆に届ける流れについて考察する。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"堀江, 志磨"},{"creatorName":"ホリエ, シマ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"3697","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Horie, Shima","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"3698","nameIdentifierScheme":"WEKO"}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ブラームス","subitem_subject_scheme":"Other"},{"subitem_subject":"苦悩の子守歌","subitem_subject_scheme":"Other"},{"subitem_subject":"心象風景","subitem_subject_scheme":"Other"},{"subitem_subject":"演奏者の学びのプロセス","subitem_subject_scheme":"Other"},{"subitem_subject":"主観・客観","subitem_subject_scheme":"Other"},{"subitem_subject":"ICEモデル","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ブラームス後期ピアノ作品の演奏表現研究 : 《3つのインテルメッツォ Op.117》を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ブラームス後期ピアノ作品の演奏表現研究 : 《3つのインテルメッツォ Op.117》を中心に"},{"subitem_title":"A Study on Performance Expression of Late Piano Works by Brahms : Focusing on «3 Intermezzi Op.117»","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["206"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-05-20"},"publish_date":"2019-05-20","publish_status":"0","recid":"2115","relation_version_is_last":true,"title":["ブラームス後期ピアノ作品の演奏表現研究 : 《3つのインテルメッツォ Op.117》を中心に"],"weko_creator_id":"4","weko_shared_id":-1},"updated":"2023-07-25T10:24:34.541180+00:00"}