{"created":"2023-07-25T09:59:25.074432+00:00","id":2042,"links":{},"metadata":{"_buckets":{"deposit":"310983c4-576e-47b2-b54f-897de28dc1c4"},"_deposit":{"created_by":4,"id":"2042","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2042"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00002042","sets":["91:201"]},"author_link":["3566","3567"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"360","bibliographicPageStart":"353","bibliographicVolumeNumber":"52","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"筆者は、2017年３月５日、東京オペラシティ・リサイタルホールにおいて、「井上郷子ピアノリサイタル#26近藤譲ピアノ作品集」を行なった。近藤譲（1947-）は日本を代表する作曲家のひとりであり、筆者はこれまでに多くの作品を演奏している。今回の演奏会で、委嘱作品を含む、これまでに作曲されたピアノ・ソロ作品19曲のうち９曲を演奏することにより、近藤譲のピアノ音楽における書法の変遷を考察し、その音楽の姿を明らかにしていくことを意図した。本稿はこのリサイタルの報告である。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"井上, 郷子"},{"creatorName":"イノウエ, サトコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Inoue, Satoko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"近藤譲","subitem_subject_scheme":"Other"},{"subitem_subject":"線の音楽","subitem_subject_scheme":"Other"},{"subitem_subject":"現代音楽","subitem_subject_scheme":"Other"},{"subitem_subject":"ピアノ独奏曲","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"「井上郷子ピアノリサイタル#26　近藤譲ピアノ作品集」の報告 : 近藤譲ピアノ・ソロ作品にみられる書法の変遷","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"「井上郷子ピアノリサイタル#26　近藤譲ピアノ作品集」の報告 : 近藤譲ピアノ・ソロ作品にみられる書法の変遷"},{"subitem_title":"Report on the recital \"Piano Works of Jo Kondo\" played by Satoko Inoue : Transition of the composition style on the piano music by Jo Kondo","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["201"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-06-08"},"publish_date":"2018-06-08","publish_status":"0","recid":"2042","relation_version_is_last":true,"title":["「井上郷子ピアノリサイタル#26　近藤譲ピアノ作品集」の報告 : 近藤譲ピアノ・ソロ作品にみられる書法の変遷"],"weko_creator_id":"4","weko_shared_id":-1},"updated":"2023-07-25T10:25:33.106014+00:00"}