{"created":"2023-07-25T09:59:24.988945+00:00","id":2040,"links":{},"metadata":{"_buckets":{"deposit":"d39051ba-2246-469d-9a4b-7d591f4c1cf2"},"_deposit":{"created_by":4,"id":"2040","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2040"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00002040","sets":["91:201"]},"author_link":["3563","3562"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"344","bibliographicPageStart":"341","bibliographicVolumeNumber":"52","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿では、2016年に初演された＜ヴァイオリン協奏曲第２番＞の創作と演奏までの過程を報告する。この作品は「高揚していく・沈静していく・保持していく」という音楽の根源的な三つの要素の組み合わせによる「変化のセリー」が作曲原理とし使用されている。そしてヴァイオリン独奏とオーケストラに新しい協奏的作品の可能性を追究した。これを楽曲の構成と特徴として述べる。また作曲にあたり、ヴァイオリニスト大谷康子氏の華麗で素晴らしい演奏が大きな刺激となっている。そして、リハーサルからコンサート本番を経験し、聴衆と作品を共有するという貴重な体験を持つことができた。今後も本作品の作曲技法を新作によって発展させていくつもりである。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"森垣, 桂一"},{"creatorName":"モリガキ, ケイイチ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"3562","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Morigaki, Keiichi","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"3563","nameIdentifierScheme":"WEKO"}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ヴァイオリン協奏曲","subitem_subject_scheme":"Other"},{"subitem_subject":"高揚と沈静","subitem_subject_scheme":"Other"},{"subitem_subject":"大谷康子","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"〈ヴァイオリン協奏曲第2番（2016）世界初演〉の報告","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"〈ヴァイオリン協奏曲第2番（2016）世界初演〉の報告"},{"subitem_title":"The Report of \"Concert No.2 for Violin and Orchestra (2016) World Premiere\"","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["201"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-06-08"},"publish_date":"2018-06-08","publish_status":"0","recid":"2040","relation_version_is_last":true,"title":["〈ヴァイオリン協奏曲第2番（2016）世界初演〉の報告"],"weko_creator_id":"4","weko_shared_id":-1},"updated":"2023-07-25T10:25:34.635856+00:00"}