{"created":"2023-07-25T09:59:19.266879+00:00","id":1912,"links":{},"metadata":{"_buckets":{"deposit":"4930d20b-06f6-46c0-b79c-f9ffdc58adc0"},"_deposit":{"created_by":4,"id":"1912","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"1912"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00001912","sets":["91:190"]},"author_link":["3375","3376"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"170","bibliographicPageStart":"159","bibliographicVolumeNumber":"51","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"イタリア近代最大の抒情詩人ジャコモ・レオパルディの詩集『カンティ』の中で、とりわけ1828年作の《嵐の後の静けさ》と《村の土曜日》に頻出する「回帰」「反復」「継続」を表すモチーフは、注目に値する。本稿では《村の土曜日》の翻訳を試み、その上で上記モチーフに関する語彙・文体・イメージの詳細な分析を行なう。それらはレオパルディが作品の中でつねに志向した「無限なるもの」と密接に係わっている。さらに、同様のモチーフのあらわれる諸詩もあわせて考察することにより、『カンティ』にこめられた詩想を浮かび上がらせ、それが人間の不幸を託つペシミスティックな詩人の実存にとって、きわめて重要な意味を持つことを論証する。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立音楽大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"古田, 耕史"},{"creatorName":"フルタ, ヤスシ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Furuta, Yasushi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"レオパルディ","subitem_subject_scheme":"Other"},{"subitem_subject":"カンティ","subitem_subject_scheme":"Other"},{"subitem_subject":"ロマン主義の詩学","subitem_subject_scheme":"Other"},{"subitem_subject":"ニーチェ","subitem_subject_scheme":"Other"},{"subitem_subject":"永遠回帰","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"レオパルディの詩における「回帰」と「永遠」（２）","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"レオパルディの詩における「回帰」と「永遠」（２）"},{"subitem_title":"“Ritorno” ed “eternità” nella poesia di Leopardi (2)","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["190"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-05-24"},"publish_date":"2017-05-24","publish_status":"0","recid":"1912","relation_version_is_last":true,"title":["レオパルディの詩における「回帰」と「永遠」（２）"],"weko_creator_id":"4","weko_shared_id":4},"updated":"2023-07-25T10:27:06.797974+00:00"}