{"created":"2023-07-25T09:58:48.556472+00:00","id":1287,"links":{},"metadata":{"_buckets":{"deposit":"2de68d17-a53f-476c-b554-c97450b8d852"},"_deposit":{"created_by":8,"id":"1287","owners":[8],"pid":{"revision_id":0,"type":"depid","value":"1287"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00001287","sets":["91:141"]},"author_link":["2634","2635"],"item_2_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"179","bibliographicPageStart":"169","bibliographicVolumeNumber":"50","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_2_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"イタリア近代最大の抒情詩人ジャコモ・レオパルディの詩集『カンティ』の中で、とりわけ1827年作の《嵐の後の静けさ》と《村の土曜日》に頻出する「回帰」「反復」「継続」を表すモチーフは、注目に値する。詩人自身が「完璧な詩は翻訳不可能である」と考えた通り、推敲を重ね彫琢をほどこされた詩を日本語に置き換えることの困難を承知しつつ、まずは《嵐の後の静けさ》の翻訳を試み、その上で、上記モチーフに関する語彙・文体・イメージの詳細な分析を行なう。それはレオパルディが作品の中でつねに志向した「無限なるもの」と密接に係わっている。最後に、詩にこめられたメッセージを浮かび上がらせ、それが人間の不幸を託つペシミスティックな詩人の創作活動と実存にとって、いかなる意味を持ちうるのかを考察する。","subitem_description_type":"Other"}]},"item_2_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"17","subitem_description_type":"Other"}]},"item_2_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00010210855","subitem_description_type":"Other"}]},"item_2_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_type":"Other"}]},"item_2_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_2_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN00066006","subitem_source_identifier_type":"NCID"}]},"item_2_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_2_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"国立音楽大学非常勤"}]},"item_2_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"レオパルディ ノ シ ニオケル カイキ ト エイエン 1"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"古田, 耕史"},{"creatorName":"フルタ, ヤスシ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Furuta, Yasushi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"レオパルディ"},{"subitem_subject":"カンティ"},{"subitem_subject":"快楽の理論"},{"subitem_subject":"無限"},{"subitem_subject":"ロマン主義の詩学"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"レオパルディの詩における「回帰」と「永遠」(1)","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"レオパルディの詩における「回帰」と「永遠」(1)","subitem_title_language":"ja"},{"subitem_title":"Ritorno ed \"eternita\" nella poesia di Leopardi (1)","subitem_title_language":"en"}]},"item_type_id":"2","owner":"8","path":["141"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-02-22"},"publish_date":"2017-02-22","publish_status":"0","recid":"1287","relation_version_is_last":true,"title":["レオパルディの詩における「回帰」と「永遠」(1)"],"weko_creator_id":"8","weko_shared_id":-1},"updated":"2023-09-12T03:21:22.036122+00:00"}