{"created":"2023-07-25T09:58:47.978276+00:00","id":1274,"links":{},"metadata":{"_buckets":{"deposit":"f7f6b58d-aba7-4698-84d7-656904d3f328"},"_deposit":{"created_by":8,"id":"1274","owners":[8],"pid":{"revision_id":0,"type":"depid","value":"1274"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00001274","sets":["91:141"]},"author_link":["2602","2603"],"item_2_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"40","bibliographicPageStart":"29","bibliographicVolumeNumber":"50","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_2_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"本稿はドイツ歌曲やオペラを解釈し歌う手がかりについて、フレーズ感、詩の朗読、詩の解釈の3章において考察する。フレーズ感の章ではアクセント、ブレス、子音の扱い方、拍節感、表情付けなどの技術的ヒントを示し、朗読の章は韻の概略を見る。また解釈の章では詩を読み込む切り口について提案する。さらに歌曲史における主な詩人の特徴を概観し、続いて歌曲に見られる性表現の隠喩について考える。そして結語において、これらの考察を教育現場に反映させる指針を提言する。","subitem_description_type":"Other"}]},"item_2_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"4","subitem_description_type":"Other"}]},"item_2_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00010210842","subitem_description_type":"Other"}]},"item_2_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_type":"Other"}]},"item_2_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_2_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN00066006","subitem_source_identifier_type":"NCID"}]},"item_2_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_2_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"国立音楽大学非常勤"}]},"item_2_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"フレーズカン ロウドク カシ カイシャク カラ コウサツシタ ドイツ カキョク オペラ カショウ ト ソノ シドウ ニツイテノ テイゲン"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"田辺, とおる"},{"creatorName":"タナベ, トオル","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Tanabe, Toru","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"声楽レッスン"},{"subitem_subject":"リート"},{"subitem_subject":"ドイツオペラ"},{"subitem_subject":"フレーズ"},{"subitem_subject":"韻律"},{"subitem_subject":"発音"},{"subitem_subject":"詩の解釈"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"フレーズ感・朗読・歌詞解釈から考察したドイツ歌曲/オペラ歌唱とその指導についての提言","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"フレーズ感・朗読・歌詞解釈から考察したドイツ歌曲/オペラ歌唱とその指導についての提言","subitem_title_language":"ja"},{"subitem_title":"Proposal about Singing German Lieder and Operas, and its Instruction Based on Consideration of Phrase Feeling, Declamation, and Text Interpretations","subitem_title_language":"en"}]},"item_type_id":"2","owner":"8","path":["141"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-02-22"},"publish_date":"2017-02-22","publish_status":"0","recid":"1274","relation_version_is_last":true,"title":["フレーズ感・朗読・歌詞解釈から考察したドイツ歌曲/オペラ歌唱とその指導についての提言"],"weko_creator_id":"8","weko_shared_id":-1},"updated":"2023-09-12T03:20:50.671082+00:00"}