{"created":"2023-07-25T09:58:47.062112+00:00","id":1254,"links":{},"metadata":{"_buckets":{"deposit":"8bf6f488-bf3a-422b-adf0-7c748de4c659"},"_deposit":{"created_by":8,"id":"1254","owners":[8],"pid":{"revision_id":0,"type":"depid","value":"1254"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00001254","sets":["91:140"]},"author_link":["2554","2555"],"item_2_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2015-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"68","bibliographicPageStart":"57","bibliographicVolumeNumber":"49","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_2_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"アンリ・ミュルジェールの『ボヘミアンの生活の諸場面』は単なる文士や芸術家たちの逸話ではなく、失敗した革命の事実を伝える政治的な諷刺暗号小説である。これを素材に作曲されたプッチーニとレオンカヴァッロのオペラ『ラ・ボエーム』も1848年の革命「諸国民の春」の挫折を惜しみ、革命の成果を奪ったブルジョワジーの政権を諷刺し、新たな革命による自由の獲得と社会変革を主張する作品である。この真意を伝える表現の手段は、中世以来教会と世俗の権力に抵抗し抗争を続けてきた秘密結社などの地下組織で考案され密かに伝えられてきた隠喩や象徴の活用であり、啓蒙主義時代のグルックやフランス大革命時代のモーツァルト、ナポレオン戦争前後のベートーヴェンの作品、及びそこで使われた音楽的手法の借用である。プッチーニはこの物語が伝える裏の意味を音楽的に読み解く鍵として、ヒロインに〈私はミミと呼ばれるが、その理由を知らない〉と歌わせた。","subitem_description_type":"Other"}]},"item_2_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"6","subitem_description_type":"Other"}]},"item_2_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00009790324","subitem_description_type":"Other"}]},"item_2_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_type":"Other"}]},"item_2_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN00066006","subitem_source_identifier_type":"NCID"}]},"item_2_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_2_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"国立音楽大学非常勤"}]},"item_2_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"ラ ボエーム ノ ミミ ト ワ ナニモノ カ エリジウム ノ オンガク ノ ケイフ"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"古山, 和男"},{"creatorName":"フルヤマ, カズオ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Furuyama, Kazuo","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ラ・ボエーム"},{"subitem_subject":"エリジウム"},{"subitem_subject":"自由の女神"},{"subitem_subject":"プッチーニ"},{"subitem_subject":"ソルミゼーション"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"『ラ・ボエーム』のミミとは何者か : エリジウムの音楽の系譜","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"『ラ・ボエーム』のミミとは何者か : エリジウムの音楽の系譜","subitem_title_language":"ja"},{"subitem_title":"What is Mimi in <<La Boheme>>? : A Genealogy of Music for the Elysian Fields","subitem_title_language":"en"}]},"item_type_id":"2","owner":"8","path":["140"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-02-22"},"publish_date":"2017-02-22","publish_status":"0","recid":"1254","relation_version_is_last":true,"title":["『ラ・ボエーム』のミミとは何者か : エリジウムの音楽の系譜"],"weko_creator_id":"8","weko_shared_id":-1},"updated":"2023-09-12T03:20:03.298568+00:00"}