{"created":"2023-07-25T09:58:45.092375+00:00","id":1213,"links":{},"metadata":{"_buckets":{"deposit":"6400824a-e2af-4f8a-93a3-e390510f5f76"},"_deposit":{"created_by":8,"id":"1213","owners":[8],"pid":{"revision_id":0,"type":"depid","value":"1213"},"status":"published"},"_oai":{"id":"oai:kunion.repo.nii.ac.jp:00001213","sets":["91:137"]},"author_link":["2460","2461"],"item_2_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2012-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"126","bibliographicPageStart":"115","bibliographicVolumeNumber":"46","bibliographic_titles":[{"bibliographic_title":"研究紀要"},{"bibliographic_title":"Kunitachi College of Music journal","bibliographic_titleLang":"en"}]}]},"item_2_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"ポピュラー音楽は、音楽産業という文化産業がつくりだす商品として消費されている。しかし、2011年3月11日に発生した東日本大震災は、日本のポピュラー音楽シーンにさまざまな影響をもたらすことになった。平穏な日常生活のなかでは自明のものだったポピュラー音楽シーンにおける規範-音楽産業がつくりだす商品としてのポピュラー音楽の消費-は、3.11によって改めて問い直されることになったのだ。3.11が発生してから半年が経過したポピュラー音楽シーンは、3.11以前と比べて、何かが変わったのだろうか?あるいは、何も変わっていないのだろうか?本稿では、時間の経過-3.11以前、3.11発生直後、そして3.11以降-とともに変化を見せてきた日本のポピュラー音楽シーンについて検証しながら、自明のものとなっていたポピュラー音楽シーンの規範について考察する。","subitem_description_type":"Other"}]},"item_2_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"12","subitem_description_type":"Other"}]},"item_2_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00007847570","subitem_description_type":"Other"}]},"item_2_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN00066006","subitem_source_identifier_type":"NCID"}]},"item_2_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02885492","subitem_source_identifier_type":"ISSN"}]},"item_2_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"国立音楽大学非常勤"}]},"item_2_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"3.11 ガ ニホン ノ ポピュラー オンガク シーン ニ アタエタ エイキョウ"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"宮入, 恭平"},{"creatorName":"ミヤイリ, キョウヘイ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"2460","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Miyairi, Kyohei","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"2461","nameIdentifierScheme":"WEKO"}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"3.11","subitem_subject_scheme":"Other"},{"subitem_subject":"ポピュラー音楽","subitem_subject_scheme":"Other"},{"subitem_subject":"文化産業","subitem_subject_scheme":"Other"},{"subitem_subject":"チャリティ","subitem_subject_scheme":"Other"},{"subitem_subject":"政治性","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"3.11が日本のポピュラー音楽シーンに与えた影響","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"3.11が日本のポピュラー音楽シーンに与えた影響","subitem_title_language":"ja"},{"subitem_title":"Impacts of 3.11 on the Popular Music Scene in Japan","subitem_title_language":"en"}]},"item_type_id":"2","owner":"8","path":["137"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-02-22"},"publish_date":"2017-02-22","publish_status":"0","recid":"1213","relation_version_is_last":true,"title":["3.11が日本のポピュラー音楽シーンに与えた影響"],"weko_creator_id":"8","weko_shared_id":-1},"updated":"2023-09-12T03:18:26.601466+00:00"}